The municipality of Lavagna is rich in natural, cultural and historical attractions. Choose what to visit in Lavagna and discover the marvels waiting for you in the town and surrounding area.
If you don't know what to visit in Lavagna, start with the Basilica of Santo Stefano, a late Renaissance building with very ancient origins. Sitting on the remains of a fortress from the year 1000, in 1143 it was declared that about thirty churches in the surrounding area would answer to it. In the Baroque era, in 1657, the building was enriched by two bell towers, one facing south and other east, the latter also used as a watchtower, to defend against possible incursions by the Turks or other enemies.
The marble facade, completed in 1936, stands out in the external structure of the Basilica together with the churchyard, decorated with sea pebbles (risseu) in different colours. The eleven altars are decorated with paintings by various painters, including Domenico Piola, and with marble statues, while in the altar of the rosary chapel you can admire the wooden statue of the Madonna, which according to tradition was the figurehead of an ancient sailing ship.
ADDRESS
Piazza Guglielmo Marconi 17
16033 Lavagna (GE)
PHONE
+39 0185 392818
A real museum, among the most popular in Lavagna and Liguria. Casa Carbone preserves art, ceramics and fin-de-siècle furnishings, wall paintings, paintings from the Ligurian school of the 17th century and lively terrazzo floors. Typical Ligurian construction of the 19th century, which faithfully and warmly preserves the domestic atmosphere and taste for living of the 19th and 20th centuries.
Inherited from FAI by the brothers Emanuele and Siria Carbone, owners and last inhabitants, Casa Carbone is a real domestic museum. Each object represents a gesture, a daily habit, evidence of domestic life and family history. You can still admire the original linen, dinner sets, kitchen utensils, books, ornaments, fans and jewels.
Other objects also reveal the taste and passions of the hosts: from 19th-century scientific instruments to wooden puppets depicting characters from Italian comedies and fairy tales created, with great skill and witty irony, by Emanuele Carbone himself. The collection of paintings deserves particular attention, composed mostly of works from around Genoa, dating back to between the 16th and 17th centuries. Among others, the names of Bernardo Castello, Giovanni Battista Paggi, Giovanni Andrea De Ferrari, Anton Maria Vassallo and Gio Enrico Vaymer stand out, the latter represented by the beautiful "Portrait of a magistrate".
The garden, which the interior of Casa Carbone overlooks, is decorated with camellias, hydrangeas of ancient varieties and climbers on the perimeter walls.
Cavi di Lavagna is today an important seaside resort, characterised by a typically low and sandy coast extending for about two and a half miles, qualifying as one of the longest beaches of the Riviera di Levante. There are two main areas to Cavi: the older, Cavi Borgo, originally a simple fishing village, and the newer, Cavi Arenelle. Private beaches, small shops, bars, pizzerias and restaurants on the sea all increase the charm of this corner of paradise.
Going up the hill you reach the villages of Barassi, Sorlana and Santa Giulia; the latter, with its church and its centuries-old holm oak, dominates the entire Gulf of Tigullio, between the headlands of Sestri Levante and Portofino. In the summer there are many food and wine events that allow you to taste the local products of our area, such as the festivals of Santa Giulia, Sorlana and Arenelle and the travelling culinary events "Borgo in Tavola" and "Assaggia Cavi". This ancient village with its colours and scents immediately plunges you into holiday mood and makes you forget stress and problems.
This Lavagna church has very ancient origins. Already in 1031, a document names various places around Lavagna including "Clapària", now Cavi, where there was a small devotional chapel dedicated to Sant'Erasmo. In 1735, the rector of Centaura wrote to the Archbishop of Genoa informing him of the Chapel of Santi Chiara, Erasmo and Lorenzo in Cavi, 23 hands long. The same building was described as a "small chapel of little importance" in 1769. The inhabitants of Cavi would have liked a larger church, open on holidays, in part because the ascent to Santa Giulia, which they depended on, was uncomfortable.
In 1752, the Senate of Genoa granted the construction of a church which began in 1753 and ended in 1757. In 1797 it was transformed into a parish. It answers to the churches of the Immaculate Conception, Sant'Erasmo and Sant'Antonio da Padova. The building has a single nave and the two side altars are dedicated to San Giuseppe and Sant'Anna; the whole is decorated with precious marbles. The church overlooks the sea and the view from the churchyard is spectacular.
ADDRESS
Via Romana
16033 Lavagna (GE)
The ancient chapel of San Michele in the locality of Santa Giulia di Centaura is located at one of the most evocative panoramic points of all Tigullio. Its origins probably date back to the Lombard era. Damaged on 22 May 1564 by Algerian Barbary corsairs during the siege of the city of Lavagna and restored in 1649 by the Genoese patrician Antonio Giustiniani, who entrusted it to the Jesuits, it then passed to the Grimaldi and other families. Today, in a state of abandonment, it nevertheless remains an authentic jewel.
Outside, you can have a nice snack on the bench provided by the Pietre Parlanti Association. Easily reachable in a few minutes on foot or by car.
ADDRESS
Via San Michele 20
16033 Lavagna (GE)
Of very ancient foundation and certainly already existing in 1406, it stands next to the Shrine of the Madonna del Carmine. It is administered by the Confraternity of the Flagellants. In 1844, the high altar, first facing east, was moved to the west; now the main door is on the public road and maintains the ancient 15th-century slate portal which represents the Trinity and the Flagellants in prayer. The interior, with a nave, has a typically Ligurian slate and marble floor; around the walls, there are wooden benches from 1768, which serve as seats for the brothers and the faithful.
There are three altars, all in marble: in one is a niche with a wooden group, sculpted by Maragliano, representing the Holy Trinity, which is carried in procession on the first Sunday of June. By the same sculptor is a dead Christ, kept in an urn under the same altar and carried in procession on Good Friday. The altar opposite is dedicated to the Madonna del Carmine. Among the paintings on the walls there is a beautiful Saint Rosalia, a Trinity with Saint Sebastian at his feet and a depiction of the church of Santo Stefano with the ancient Fieschi castle.
The Oratory is home to the beautiful Christs, works of exquisite workmanship, some of them by Maragliano and his school; these are the protagonists of the great summer processions.
The shrine of Lavagna preserves an important piece of historical evidence: a reference to the ancient Fieschi bridge, Ponte della Maddalena, built in 1210 in place of a previous wooden bridge. The Fieschi themselves also had a chapel built at the beginning of the bridge and placed there an image of the Madonna which had a protective function for those crossing the bridge. The chapel was rebuilt and enlarged in 1492 and Lorenzo Fasolo from Pavia at the beginning of the 16th century adorned the facade with a delicate fresco representing the Madonna della Misericordia who, with her mantle, protects men, women and brothers from the wrath of God, who punishes them, with the plague, for their sins.
The main painting, the Madonna del Ponte, placed on the high altar, turned out to be, after a long restoration, a precious panel, almost certainly an early work by the Sienese Piero Lorenzetti, probably brought to Liguria by Cardinal Luca Fieschi. Adjacent to the Shrine of Our Lady of the Bridge is the Oratory of the Holy Trinity.
Of very ancient foundation, it stands next to the Sanctuary of the Madonna del Carmine, is administered by the Confraternity of the Flagellants, endowed with ancient statutes and already existing in 1406. Among the paintings on the walls there is a beautiful S. Rosalia, a Trinity with S. Sebastiano and the representation of the church of S. Stefano with the ancient Fieschi castle. The Oratory is home to imposing "Christs", works of exquisite workmanship, some of which by Maragliano and his school: they are the protagonists of the great summer processions.
In Sorlana in 1031, the Archbishop of Genoa collected rents from the land, as we read in the archbishop's records: "Hoc sunt nomina eorum in isto kalendo campo senaschi, Sorlana, Saponico Badalaxi". This church is of very ancient date. The Lodo of 1387 for the tax assigns it a penny for every 100 lire of tax, and it is also mentioned in the list of churches having the care of souls of 1311, at no. 133. In 1518 it passed to the Diocese of Bugnato together with its parish church Sestri and others. He returned to Genoa on 7 October 1594 in exchange for the transfer of the church of Sant'Apollinare di Reppia exchanged in deed by Domenico Muzio between Archbishop Alessandro Centurione and Bishop Stefano Baliano. The church, graceful in its architectural lines, has a beautiful bell tower with pilasters and capitals; inside it preserves a canvas, a period crucifix and an interesting 18th-century tabernacle.
Lavagna's cemetery is an open-air museum. Ornamental tombs, wonderful statues and chapels that are true works of architecture, make it one of the most evocative places in Liguria. Dating back to 1810 and located on a hilly area, it is second in Liguria only to that of Staglieno in Genoa when it comes to works of art. In the first part, the "old cemetery", it follows the line of the hill up the slope, with monumental marble tombs of great beauty, mostly made by the sculptors of the Repetto workshop, some later buried in the cemetery itself.
Many statues depict symbols of faith, of pain, of political affiliations, of the professions practiced, typically in the 19th century.
In the "new" area of the cemetery, the symbols change and reflect the new cultural trends, both Art Nouveau and Art Deco. Art represents movement, the passage from death to future life, processions of girls, references to the Divine Comedy. The most important sculptors are Ersanilli, Brizzolara, Zucchi, Sanguineti and Dallorso.
The Church of San Pietro Apostolo is located in the village of Barassi, in the municipality of Lavagna. Originally it was dedicated to Sant'Eufemiano, as attested by a papal bull of Pope Innocent VIII. The year of construction is unknown, but we know that it was built under the patronage of the Olivetan Fathers of Quarto.
The church was initially part of the Diocese of Genoa, then of Brugnato, currently of Chiavari. Inside there are three altars: the main one dedicated to San Petro and the side ones to the Madonna del Rosario and the Santissimo Crocifisso.
This Lavagna church was built between 1617 and 1631 by the Discalced Carmelites from Genoa, who erected the convent before 1619. The events linked to Napoleon in Italy made the religious abandon the convent and moved to Novi and Genoa. Of the two parts that made it up, the convent was dismembered, sold and used for various purposes, especially civilians: post office, court, town hall, primary school. In 1806 the church returned to its functions and, having been declared an autonomous sanctuary, was placed under the jurisdiction of the archpriest of Santo Stefano.
Most of the marbles, both on the walls and on the altars, are from the Lavagnese Repetto workshop. The frescoes were painted by the Sienese Alessandro Franchi (between 1890 and 1900) and Giuseppe Repetto (1860).
The paintings belong to various eras: among them stand out those of Domenico Fiasella (Ecstasy of Saint Teresa with Saint Gotthard), Orazio De Ferrari (Nativity and Saint Peter, the latter from the Oratory of San Pietro, serving the hospital of the same name, both demolished in 1884) and Giovanni Andrea De Ferrari (Sant'Erasmo). An epigraph at the entrance to the church recalls the perpetual vow made by the community of Lavagna on 16 October 1835, because it was preserved from cholera. The procession of the Madonna del Carmine, patroness of the city that saved Lavagna from the plague, is one of the most significant moments of the year with the carrying of the Madonna to the sea by dozens of mainly young people from Lavagna. Among them was the current mayor, Alberto Mangiante, as well as councillors Luca Mangiante, Carlo Romanengo and Stefano Piazze (bearer of the very heavy crucifixes) who have never missed this appointment since they were children.
The 43-foot Torre del Borgo was for centuries the tallest building in Lavagna and certainly one of the most historically important. Restored on the occasion of the jubilee of 2000, today it houses not only cultural events but also a collection of works in slate by the Lavagnino sculptor Francesco Dallorso and the Rodolfo Alloisio archaeological collection, which collects findings from various periods and places, including Tuscan ceramics and Ligurian maiolica. Set in an almost hidden garden which today is one of the unmissable points of the old town, where you can get lost on a sunny day even in the middle of winter, perhaps reading a book away from the noise in an enchanting setting that lets you escape time.
Via XX Settembre
+39 01853671
The old town of Lavagna is full of alleyways that intersect with squares and courts. It is a riot of classic Ligurian colours, which lend the house-fronts a picturesque quality rich in authenticity and tradition. Stroll around the town staring upwards so you don't miss this spectacle of colours that never ceases to fascinate.
In Vico dell'Arco, an enchanting alley connecting Via Matteotti to Via Aurelia between delightful partly-hidden private gardens, the old wash houses, used by our great-grandmothers, are still to be seen in all their authentic splendour. The houses even included a wood-burning boiler to heat the water. A jewel of our tradition that merits a little stop.

Vico dell'Arco and Via Matteotti
The old town of Lavagna is full of alleyways that intersect with squares and courts. It is a riot of classic Ligurian colours, which lend the house-fronts a picturesque quality rich in authenticity and tradition. Stroll around the town staring upwards so you don't miss this spectacle of colours that never ceases to fascinate.
Genoa and Lavagna are united by an architecture of great historical importance. This historic building in Lavagna tells the story of a family from Genoa: the Franzoni. In 1696, this ancient noble family, owner of lands in Genoa, Cogorno and Lavagna, had a building with a noble chapel on Piazza della Marina, now Piazza della Libertà, a symbol of the political and economic power of the family.
This building was inhabited with a certain regularity by the owners until the 19th century, when it served both as accommodation for foreign troops passing through the area, and as a hospital for the sick from recurring epidemics. Rearranged and inhabited for a few more years by the last Franzoni heirs, in 1907 it was sold to Lazzaro Repetto, who transformed it into a hotel, carrying out improvements and restorations, especially externally. In 1910, the heirs of Lazzaro Repetto offered the building for sale to the municipality of Lavagna and in 1931, mayor Ernesto Liguori bought Palazzo Franzoni to make it the town hall. Today the building is accessible on guided tours while the small chapel on the ground floor has recently been reopened to the public at last.
Piazza della Libertà
Overlooking the heart of Lavagna is Palazzo Ravenna, dedicated to the local scholar who in 1879 wrote an exhaustive history of the county and municipality of Lavagna. Formerly a convent, built by the Discalced Carmelite friars around 1600, it was, after some modification work on the structure, the original town hall. With the move of the latter in 1931 to the current Palazzo Franzoni on Piazza della Libertà, in more recent times it became the seat of the Giovanni Serbandini Bini Civic Library. There is also a multifunctional hall, the Sala Albino, the Libringioco Ludo-Library and the historical archive.
Piazza Ravenna
Anyone who stops in Lavagna for a few days will fall in love with this relaxing walk, especially in the low season when the mild climate allows you to jog, walk, stop for a good read, have lunch with a piece of focaccia on a bench, or for the little ones, have a bike ride. Two railway stations with direct access to the promenade make Lavagna an extremely easy town centre to reach.
Piazza Guglielmo Marconi is the heart of the town. Surrounded by real local jewels like the Brignardello Portico, the stairway of the Basilica of Santo Stefano and the facades of the houses with their typical colours, this space plays host to the most important events and shows, which evoke incredible emotions. The square is the result of a restoration and redevelopment of the town in the 17th century.
This was to give the square a greater scenographic effect and why some houses in the town were demolished. In fact, it was at this time that the monumental staircase today giving access to the church was built. In 1897 benefactor Nicola Brignardello had the side loggia, known as the Portico Brignardello, built. It is said that he did not want to pass in front of the basilica to get to the cemetery. In fact, at the end of the long colonnade a stairway, now closed, led directly to the entrance to the cemetery. For a long time the bust of Brignardello, who had made his fortune in America, remained in the portico. It was then moved to the cemetery chapel.
This bridge, with six arches and 820 feet long, connects Chiavari and Lavagna from the beginning of the 13th century. Probably as early as the 12th century there was a wooden bridge, known as the bridge of the sea, dedicated to Sant'Erasmo, patron saint of sailors. But the current structure was commissioned by Ugone Fieschi, father of the future Pope Innocent IV, to ensure adequate communication between Lavagna and Chiavari and with the hinterland. The precise date of construction is not known, but from notarial documents it appears to have been erected between 1210 and 1212.
Ugone Fieschi not only rebuilt and expanded the previous wooden bridge, already of considerable strategic importance as the only link between Lavagna and the hinterland, but also had a hospice built in the area to welcome wayfarers, along with a public well and the church of Santa Maria Maddalena, from which the bridge later took its current name. The area thus became an obligatory stop for those travelling along the coast or inland, as recorded in Dante's tercet about Pope Adrian V in Canto XIX of his Purgatory: "Between Siestri and Chiaveri descends. A river beautiful, and of its name. The title of my blood its summit makes." Originally the bridge had thirteen arches and was covered by a gabled wooden structure, but it was probably set on fire following the passage of Frederick II in 1245.
It was restored in the mid-13th century by Sinibaldo Fieschi, Pope Innocent IV. In fact, the bridge became part of the possessions of the Basilica of San Salvatore, built by Sinibaldo Fieschi himself, and was managed directly by the family until 1276, the year of the transfer of some of their properties to the Republic of Genoa.
Following the works carried out between the eighteenth century and the following century which allowed the recovery of arable land, Chiavari and Lavagna became closer.
This was the gate that led out of Lavagna towards the village of Madonna del Ponte and is the only one left of the two that once existed. It opens onto a small square, once known as Piazza delle Erbe because the farmers brought vegetables and milk here to sell. During epidemics, it was manned by guards to check passers-by.
A work commissioned for Lavagna by the wealthy Nicola Brignardello, who left a quarter of his assets, made in Chile, to build a portico with an overhanging terrace for public use. Legend has it this well-known son of Lavagna wanted to create a passage that would allow him to reach the cemetery without having to pass in front of the Basilica of Santo Stefano and so he had this portico erected. The works were carried out between 1894 and 1898.
The portico has one entrance to the south and two to the east. The arcade space is currently used for cultural events such as concerts, performances, exhibitions and food and wine events.
Lavagna preserves many buildings of great value, which in Liguria tell the stories of ancient and noble families. One of these buildings is Villa Spinola-Grimaldi, built in 1604 by the Spinola family, later passed to the Grimaldi and then to the Pallavicini. Starting in 1820 the villa was renovated and transformed into a country house.
According to some historical sources, Prince Francis II of the Two Sicilies stayed here, fleeing from Naples, together with his wife Maria Sophia of Bavaria. The residence later became part of an industrial area which housed a cotton mill which operated until the 1950s. In 1979 the industrial complex was demolished and the property passed on to the municipality of Lavagna, which created a large public park.
It is currently the headquarters of the Italian Shipping Academy (www.accademiamarinamercantile.it), which, together with the Tourism Academy, brings prestige to Lavagna for the high level of professional education that both guarantee. The villa is surrounded by greenery and important public sports facilities like a swimming pool, indoor and outdoor basketball courts and tennis courts. The Tigullio Park, as it is called, is a daily destination for children of all ages.
Comune di Lavagna
Piazza della Libertà 47
16033 Lavagna (GE)